Krabathor - Cool Mortification
I guess most people will have heard of Krabathor through their ties to Master. Paul Speckmann was a member of the line-up for a few years, but that was late in the game. Cool Mortification dropped in 1993, and I'll be perfectly honest. This is the only Krabathor record I have consumed. Why? Because...because. No reason really, though I probably oscillated towards the sick cover art. I'm superficial like that. The album itself is pure death metal. It was Krabathor's second long player, and from what I can tell, they made a precipitous leap from the debut in terms of craftsmanship and sheer chops. Songs such as "The Loop" and "Evil Corners of Mind" don't necessarily do anything new, but they're written so freakin' well, it doesn't matter. I particularly love the sweet guitar solos. An honorable mention goes out to bassist/vocalist Bruno Kovarnik for his beastly growls. Basically, everything here is cool.
I still have a bit of exploration in front of me as it relates to Krabathor, but if I can convince one reader to check them out, I'd be satisfied. Oh, and they hail from Czechia. Now you know.
Gruesome - Silent Echoes
I wrote a little about this album before it was released, but since this column is supposed to document what I've been jamming, it looks like I'm going to write about it again. If you don't know, Gruesome exists to pay homage to Chuck Schuldiner. Each record is a callback, and Silent Echoes is a chilling tribute to Human. They NAILED it. The production, the vocals, the lead harmonies...this thing reeks of mid-era Death. I realize that some metalheads stopped listening to Death by the time Human came around. Hell, some folks even stopped before Spiritual Healing came around, but if I wasn't seven years old in 1991, I wouldn't have been one of those folks. I love, love, love the progressive-minded approach that Chuck took on later records, so Silent Echoes was built for my ears. It's a consistent listen. As such, I can't say that I have a favorite track. Every song is dotted with "woah" moments. For instance, the double bass patterns in "Frailty." Woah.
I'm hoping that this means we'll get Gruesome's take on Individual Thought Patterns and Symbolic next. Maybe The Sound of Perseverance? I don't want to sound greedy, but c'mon, you know that would rule.
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