Blood Capsule #334

GAMERA THE BRAVE (2005)

One look at my rating, and I know you'll think I'm crazy.  Apparently, the powers that be completely disagree with me, as this film effectively ended the Gamera franchise as we know it.  This is the best Gamera jaunt I've ever seen, and folks, I will die on that hill.  I think it's fair to say that most genre fans are familiar with our turtle warrior's Showa series, the string of cheese-grade kaiju epics that ran from the mid-60's to the early 80's.  They would usually depict a universe where austere government officials would be led around by cloying groups of children.  They were absurd.  Plain and simple.  Gamera the Brave answers the question, "What if those goofball movies were made by actual filmmakers?"  I won't denigrate the Showa era (I own half of them), but this Gamera should be seen as the Gamera.  Yes, I dig the 90's trilogy.  There is plenty of room for high-quality Gamera-based entertainment, and that includes bottles of Mtn Dew Code Red.

The plot is basic.  A little boy named Toru stumbles upon Gamera's egg and raises it like you would any pet.  Eventually, this cute leatherback levitates and triples in size.  It soon becomes obvious that Toru is dealing with the same kind of Gamera that saved Tokyo from Gyaos (kaiju Pterodactyls, essentially) in 1973.  And wouldn't you know it?  A new monster has risen from the ocean depths, and it's up to Gamera to save Tokyo from certain doom.  Again.  Maybe I'm getting soft with age, but lead actor Ryo Tomioka has expressive eyes that will pierce your soul.  You might even feel...emotions?  In all seriousness, the child actors are splendid.  They come across as real kids, ordinary individuals in extraordinary situations.  The script has more heart than all of the Showa films combined.  I was totally sold on the human drama, which is why I'm trying so hard to sell Gamera the Brave to you.  What's more, the special effects are just right.  Are they worthy of five Z'Dars?  I think so.

It's a shame that this flick was a box office failure in Japan.  I would line up next to myself to see a sequel with the same creative nucleus.  Why do I have a feeling that Random Reptile Month is peaking early?